Best BTS Songs: Top 100 Songs Ranked

“BTS Cypher Pt.1” kicked off the septet’s brutally honest, technically complex (and fan-favorite) Cypher series. For its opening chapter, RM, Suga, and J-Hope took aim at unjust judgments passed on their rapping abilities: “My attitude is my mentor/Even if you talk smack about me, I’m memento/Show your hip-hop pride but you’ll still feel impotent/Hide your jealousy, I can see your IP address.” Delivered in their respective distinctive flows, each member’s performance solidified their mastery of the art form while familiarizing listeners with the rap line’s unapologetic, fearless side. —Riddhi Chakraborty

Released at a time when BTS’ hip-hop concept was at its zenith, “Hip Hop Phile” comes from a place of honor and admiration as the group raps about its respect for hip-hop culture. The track lays out the members’ relationship with the genre and how it inspired their creative liberation, paying tribute to their influences, from South Korean trio Epik High to Nas, Jay-Z, Biggie, CL Smooth, Eminem, and others. —D.D.

The emotive quality of the band members’ voices is what gives “Don’t Leave Me” its vastness — that and some truly fierce synth production. Despite its title, the song, from BTS’ third Japanese full-length, Face Yourself, isn’t sung out of fear, but with faith that hardships can be overcome with trust and partnership. “No matter what, rain falls/No matter what, darkness erases/I’ll definitely save you, you are not alone,” Jin, Jimin, and Jung Kook sing.— Natalie Morin

During the height of quarantine, bedrooms were our sweaty dance floors. BTS captured the emotional transport music gave the world in “Fly to My Room,” from 2020’s BE. “This room is all I have/Well, then I’ll just change this place to my world,” Jimin and V sing on the sub-unit track, later joined by Suga and J-Hope’s melodic rapping. The laid-back keyboard groove is tentative at first, but crescendos into a final chorus fit for a church choir — perhaps looking for something to believe in. —N.M.

BTS can criticize, empathize, and lament. But ultimately, they’re uplifting, providing comfort even in times of pitch dark. Feel-good summer bop “Permission to Dance,” co-written by Ed Sheeran, is above all a message of hope — that the light of passion can never be extinguished, and the world is full of beauty. That ethos is even woven into the song’s expressive choreography, as it uses international sign language for “dance,” “fun,” and “peace,” and is deliberately simple enough (by BTS standards, at least) for anyone to join in —N.M.

There’s something about BTS’ Japanese releases that leaves you swaying in a sweet-trancelike state. Perhaps it’s the warm, dulcet sound or bittersweet themes of love and heartache. Either way, BTS’ Japanese offerings continue to be some of the most anticipated (and loved) releases. Serving as the first of two official singles before the release of their album Map of the Soul 7: The Journey, “Stay Gold” brings sanguinity, warmth, and romance wrapped in an upbeat pop arrangement. Released at a time of uncertainty, the single presented itself as a ray of hope, melting away icicles of distress we all felt during the global pandemic. —D.D.

The melody floats in with a soft flourish, and much like its predecessor “Spring Day,” “Crystal Snow” illustrates the ephemeral nature of love using the vibrant image of the seasons. “Even though you pass through me and turn to water, you are still in my heart,” RM raps. “I watch you shining and reflecting on every single sparkling thing.” The Japanese single ebbs and bursts open with the grace and verve of a musical number as the vocalists plead: “I want to hold you one more time before you disappear.” —N.M.

On his bright solo track for BTS’ 2018 LP Love Yourself: Answer, RM plays with the Korean language to express gratefulness for the love he’s received from the group’s fans. He rhymes and interchanges saram (“person”) and sarang (“love”) to convey the transformation he’s undergone as an individual thanks to BTS’ Army. He also includes a nod to Rene Descartes’ famous line “I think, therefore I am” as he happily declares, “I live, so I love.” “Trivia: Love” is packed full of onomatopoeia, symbolism, and Easter eggs — too many to list here — that only the Army can unearth. It’s a fitting gift from BTS’ intellectual leader.—Riddhi Chakraborty

Originally set aside to be featured on Jung Kook’s mixtape, BTS’ Japanese single “Your Eyes Tell” is a compelling testament to the vocalist’s songwriting capabilities that brings out a unique perspective on romance, heartaches, and everything in between. Brimming with mellow vocal performances gently nestled between a balladic, soul-stirring melody, “Your Eyes Tell’ has a beauty that lies in its ardent confessions of endearment and hope. —D.D.

It begins with the familiar electro-pop synths of the “Save Me” chorus, but this time sounding much more hollow. The sample distorts and ends before a breathy V rolls in. Just as the words “Save Me,” can be an ambigram of “I’m Fine,” the two songs’ lyrics are also reflections (both structurally and thematically) of each other. Four years later, BTS have found the strength and maturity to rely on themselves — and while they may fondly look back for a moment, their steps will always take them forward. —N.M.

Produced by Steve Aoki, co-written by RM and featuring Jin, Jimin, V, and Jung Kook, “The Truth Untold” shows a brand-new side of every artist involved. Aoki steps out of his EDM space to present a glimmering piano ballad, while the vocalists each go beyond their limits to express a heartfelt attempt to conquer fear and self-loathing. The track ultimately expresses that the key to finding love is accepting one’s true self. —R.C.

On “Dynamite,” BTS ejected from the quarantine gloom to joyride in another dimension; for “Life Goes On,” they use their inside-voice. Humbled by the pandemic tragedy, they inhabit an acoustic-tinged pop-R&B ballad to extend the consoling titular message they first introduced at the United Nations’ 75thGeneral Assembly. Jimin’s heart-tugging vocal fry stands out, but V and Jin let the melody flow, while RM, Suga, and J-Hope rap like serene, soothing allies. The video even fades to black-and-white at its close; no flash needed.—Charles Aaron

When you’re soaring higher and higher every day, feeling grounded can seem like a fleeting luxury. Thankfully, for the septet, home is where their fans are. “At the fork in the road, I keep remembering/You, who knew me in my shabbiness/In thinking of you, I’m able to smile/A place where you are,” Jin croons in the bridge of this groovy track. A funky church organ sings over the sashaying melody —  a reminder that having someone in which you find refuge is sacred. And when the world is your stage, aren’t you always home? —N.M.

One of BTS’ most underrated tracks from their formative years, “Coffee” chronicles a bittersweet breakup through coffee metaphors. Though the “cold and bitter aftertaste” of an Americano lingers, the protagonist cannot help but reminisce about the sweet memories of the relationship. Permeated with low-fi beats and sounds sampled from a busy cafe, the chill, laid-back sonic ambience is further elevated by the group’s melodic vocal and rap performance, transporting you right into the middle of the breakup drama. —D.D.

“We all are dogs and pigs/ We get angry and become dogs,” Suga raps, almost mockingly. This particular lyric is what makes this bouncy, bluesy hip-hop B side (featuring a sample of Keb’ Mo’’s 1994 song “Am I Wrong”) one of the group’s most politically charged tracks. The lyric is believed to call out an incident that occurred a few months before Wings’ release in October 2016, in which a South Korean government official reportedly said that 99 percent of his country’s people are “like dogs and pigs,” and can be treated that way. “The whole world seems to be crazy, it feels like the end,” they sing. Turns out, they were right all along. —N.M.

Loaded with groovy Latin beats and flirty lyrics, and paired with a choreographed routine for the books, Jimin’s “Filter” embodies every aspect of his artistry. Delivered in the singer’s signature raspy vocals, “Filter” sees Jimin celebrating his duality as an artist and his ability to display his various charms at the drop of a hat. Sensuous and enticing, “Filter” is a near-perfect introduction to Jimin’s famed showmanship. —D.D.

Written by the rap line and Big Hit Music’s longtime producer Pdogg, “Let Me Know” is one of the most heartbreaking tracks in BTS’ arsenal. The R&B ballad grieves the natural end of a relationship: “Love blooms like cherry blossoms but burns and becomes ashes,” Suga states, indicating that while he knows the smarter decision is to move on, he cannot escape his memories. “Let Me Know” allows every single member of the group to shine; the rappers each convey a different stage of grief in their verses — cruising through denial, anger, and acceptance in turn — while the vocalists deliver some of the most powerful performances of their careers with soaring falsettos and ad-libs. —R.C.

J-Hope opens up about his life’s journey on this emotional solo track from BTS’ Wings. It’s a unique offering from the group, inspired by gospel and hip-hop, and the lyrics pay tribute to the sacrifices the rapper’s mother made so that he could pursue his dreams. “Mama” was also accompanied by spectacular live stagings during the group’s 2017 Wings tour — each performance saw the members of BTS, the group’s backup dancers, and dozens of gospel singers all joining J-Hope to sing along. —R.C.

The video for BTS’ first single was the world’s first real glimpse of the young, seven-member crew’s particular set of skills — choreography and vocals that hit with breakneck precision, lyrics that uplifted hopeless kids, and an exhilarating group dynamic. But the reaction was muted. They’re too hip-hop to be idols; they’re no Big Bang; those “gangsta” mannerisms have gotta go. And while the boys might’ve overexcitedly postured like suburban swag surfers raiding a Hood by Air warehouse, such objections now sound quaint. —C.A.

Not long after the group made its riotous debut, BTS doubled down on their criticisms of South Korean society in “N.O,” condemning adults for making the youth into “studying machines.” And if that message wasn’t clear enough, the music video sees the septet in a Matrix-like dystopian future, battling the stoic guards intent on keeping them dutifully chained behind their desks. “Don’t live your life by being trapped in someone else’s dream,” they sing in the chorus. —N.M.

In a 2018 episode of the band’s reality series, Run BTS!, Suga wrote a poem with this line: “It is true that the more light that burns upon us, the more shadows appear.” In the fiery Map of the Soul: 7 opener, the rapper expounds on this metaphor, further exploring the darkness that goes hand in hand with celebrity. The track begins with a moody sample of “Intro: O!RUL8,2?,” as Suga admits, “I’m afraid, flying high is terrifying. No one told me how lonely it is up here.” But just as it seems the rapper has braced himself to face his demons, the tempo shifts and an ear-splitting bass drops in — Suga is now spitting from his shadow’s perspective, reminding him that they have no choice but to co-exist. —N.M.

Disguised beneath crisp soul-funk production, “Look Here” presents a game of cat and mouse that eventually turns vaguely threatening as jealousy and obsession take over. The vocalists channel a bit of Prince as they step into bright falsettos, offering a delightful contrast to the rappers’ playful, husky verses. —R.C.

This is where we see BTS at their most vulnerable. Written around the time the group was considering disbandment, “Outro: Tear” — from the 2018 EP Love Yourself: Tear — captures all the emotions the septet were drowning in during that tumultuous time. The orchestral hip-hop number finds RM, Suga, and J-Hope outlining the feelings of betrayal, rage, and desperation they all felt. The trio use the double meaning of the word “tear” to symbolize grief, as well as the bonds within the group shattering. J-Hope’s verse is particularly powerful, as he addresses the other members, rapping, “You’re my beginning and my end/That is all/My meeting and my farewell/You were everything, step forward fear/It will be repeated, caused by you/Tear.” —R.C.

At once a hip-hop skit and a parable, “Paldogangsan,” also known as the satoori (dialect) rap, sees the rap line repping their hometowns in South Korea — Suga, from Daegu in Gyeongsang; J-Hope, from Gwangju in Jeolla; RM, from Seoul in Gyeonggi — until the latter, always the peacemaker, urges them to embrace one another’s differences. It’s the same call for unity that the group would make on the U.N. assembly floor many years later — a message universally understood from New York to Korea, from Moonsan to Marado. —N.M.

Jin’s love song to the fans is as massive and shining as his personality. In the joyful guitar-pop ode, Jin taps the power of his full range as he likens his relationship to ARMY to that of celestial bodies: “To you, I’m just a moon/A tiny star of yours that brightens up your heart,” he sings. “You are my Earth/And all I see is you.” In the stage performance, BTS’ eldest member is the Little Prince, standing atop a makeshift moon. But in this version of the story, our hero is anything but lonely. —N.M.

BTS take on the class divide in South Korea by pointing to the expensive North Face padded jackets that have become a status symbol among teens. “Just like the fully filled padding, your greed continues to get filled up,” Suga spits on the quirky hip-hop track. The jackets are dubbed “spine breakers” because of the financial burden kids put on their parents just to prove they can keep up. “Even after seeing your parents’ backs bending, you’re heartlessly relentless.” (Jin’s choreography makes for a particularly entertaining visual aid.) —N.M.

This anthemic electro-pop tune is one of the livelier tracks on BTS’ dark 2016 LP Wings, and aims to celebrate women by encouraging them to be their best selves. With RM sharing writing credits, the group showers its female audience with praise and tells them never to settle, emphasizing the importance of consent and respect. During his verse, Jung Kook declares, “Don’t ever be scared/Whatever people say, you’re OK, all right/You are strong/You say yes or no.” —R.C.

Produced by American duo the Chainsmokers alongside BTS’ longtime producer Pdogg, “Best of Me” is a quintessential, soaring EDM anthem, instantly evoking the genre’s defining years, from 2011 to 2015. With lyrics that offer an exaggerated take on the consequences of love, BTS deliver an electrifying performance, highlighted by Suga and J-hope’s fiery rap verses. Despite being five years old, “Best of Me” continues to serve as a timeless party anthem, often played at BTS concerts to dial up the energy. —D.D.

A highly underrated number from BTS’ earlier days, “Like” hovers between anger and regret at the end of a relationship. Written by Suga, the lyrics are filled with anguish as he raps, “Why am I still stuck in the times we spent together/ When everyone in that world has already stopped?” The track disguises the rage and pain with an uplifting pop-R&B arrangement. The often overlooked “Slow Jam Remix” of “Like” elevates the original, conveying the true message of the song and transforming it into a classic, Nineties-influenced R&B ballad. —R.C.

Heightened by J-Hope’s electric stage presence, “Just Dance” is easily one of the most anticipated moments at a BTS concert. Driven by electro-pop beats, the single narrates the initial stages of a romantic tale using dance as a metaphor: “Because our rhythm is matching/Because we have our dance, it’s a fate-like beat/Let’s get it on POP.” The latter line directly references the rapper-producer’s track “P.O.P” from his mixtape Hope World, which expresses his dream of being the source of happiness in everyone’s life. —D.D.

Steeped in soft drums and dreamy synths, “Friends” commemorates the unbreakable bond of friendship and trust between V and Jimin (commonly referred to as VMin). Reminiscing over sweet high school memories and other fond recollections (such as a fight over dumplings), “Friends” is a heartwarming peek into the duo’s dynamics and how their friendship has blossomed with time. The track particularly holds significance for veteran fans who’ve seen VMin evolve together in front of their eyes. —D.D.

Combining soft jazz, complex piano riffs, and hip-hop, “Rain” perfectly encapsulates BTS’ versatility right from their days as rookies. Written by the rap line and Pdogg, “Rain” uses the metaphor of a rainy day in Seoul to convey sadness and monotony. The lyrics paint a picture of emptiness through powerful imagery like, “As if it knows how my body feels, the rain is falling/As I look at the raindrops welling up in the window, I felt it/The tears that were flowing down my heart.” The song conveys despair but also an underlying current of hope that things might change someday. —R.C.

Love can be a complex, dizzying puzzle — or, it’s a “white T-shirt, denim shorts, and red Converse highs.” “That’s it,” RM declares on the groovy HYYH track. There’s a giddy delight tucked into the song’s cool flirtation, relishing in the excitement of having a crush. When you’re bitten, every little thing matters — from the bat of an eyelash to a gracefully tied double knot. —N.M.

Beloved and astoundingly sly, “Anpanman” is BTS’ greatest trick and/or public service. Identifying with the goofy, kindhearted little manga and anime character known as “the world’s weakest hero,” the group flips arena-pop grandiosity and redirects it into a persuasive confession of fear; a moving comment on the responsibilities of success; and an inspiring message of self-love and support for its fans. The pistoning, poppy patchwork of hip-hop and EDM shifts the tempo and beat repeatedly, using percussive whistles, Auto-Tuned chants, choral ad-libs, and a churchy, hand-clap breakdown to convince kids that real heroism means sacrificing everything for those you love. —C.A.

Also known as “Dead Leaves,” this track compares the transformation of autumn leaves to the passing of youth — the key theme of the Most Beautiful Moment in Life album series. With lyrics like “One leaf left clinging to a branch/It’s shattering, I see the end/Dead leaves becoming dried,” BTS manage to define the cycle of life and passage of time within a single metaphor. The song’s tone oscillates between mourning and acceptance as the production darts through shimmering synths, echoing percussion, and dark trap. —R.C.

“00:00 (Zero O’Clock)” is a gentle reminder to those who struggle with breaking out of their funk. Inspired by the passage of time, the track rationally explains how life is a cycle of good and bad days. As a result, BTS instill the idea of a second chance at happiness and hope — just like a clock that resets at 00:00, you, too, can make the most out of the fresh start. Performed by Jung Kook, Jimin, Jin, and V, the track’s heartfelt message is effectively expressed through their breathy vocals. —D.D.

“But what will happen if Bangtan Sonyeondan advances?” The question posed at the start of the boisterous track seemed like a bold hypothetical back in 2013, the year BTS debuted. Despite its rather misleading title, the rap-heavy “Attack on Bangtan” (a.k.a. “The Rise of Bangtan”) is less of a victim’s call for help and more of a battle cry — “Our reaching the top is a matter of time” — a declaration that the group will stop at nothing to become the biggest name in music. Little did BTS know that a few years later they’d finally get an answer to their question (and a satisfying one, at that), but even today, there’s a magical quality in hearing them excitedly poised for the fight. —N.M.

The dance-pop track is made to bring arenas full of fans to their feet, though “Stay” was first released during the pandemic, so bedrooms would have to do. The seventh song on the septet’s seventh album (a.k.a. a numerical big deal) is a profession of love and connection, even at our most isolated. During the global press conference for BE, Jung Kook explained that “Stay” is meant to convey that “although we are far apart now, we will always stay together.” —N.M.

It’s Coldplay’s most pleasingly unburdened moment, and the first-ever entry at No. 1 by a British artist; as for BTS, it’s their sixth debut at the top. Like so many great collaborations, “My Universe” started with a meeting on a YouTube series (Released), where one artist (BTS) was talking to another (Chris Martin) about a dance challenge (BTS’ #PermissionToDance). What does the song sound like?: BTS covering “Fix You” (see 2021’s MTV Unplugged), given a pop-disco refix and a rad chopped-vocal breakdown. Of the 29 people involved in the track’s creation, special shout out to the other Martin, Max, who co-produced. —C.A.

After BE‘s somber opening tracks about the fear and alienation caused by the pandemic, “Telepathy” is an escapist Eighties pop-funk lark that’s like Bruno Mars lounging on a tumbona. Originally written by Suga, and slightly reworked with RM and J-Hope as a lifeline to ARMY, it’s got a loping bass line, fluttering cowbell, and playfully Auto-Tuned vocals. Suga and J-Hope sing more than rap, while Jung Kook and V’s staccato singing is akin to rapping. The latter two put it simply: “Even if I’m not by your side, yeah/You know we’re together.” —C.A.

This maximalist rap-rock manifesto pogos and meditates on the intoxicating but fleeting catharsis of making music for millions of insatiable fans. BTS consider being artists a sacred, delirious pleasure; but art extracts a pound of flesh for pop’s elite, who take a vow of literal Dionysian excess, i.e., to constantly create or perform. Here, that conflict is dramatized by arena-size flexing, volleys of chanted hooks, guitar throb, general EDM bleepery, and canny, cultural wordplay. J-Hope’s toast? “Drink it up, the pain of creating.” —C.A.

Vibrant, feel-good, and oh-so-romantic; BTS’ “Boy With Luv” served as a refreshing prologue to the septet’s Map of the Soul chapter. Featuring American pop star Halsey, the single delivers an ambient, funky-pop mood as the global superstars sing about an uncomplicated love affair, all the while emphasizing their growth from 2014’s heartbroken “Boy in Luv.” —D.D.

BTS’ quirkiest, yet possibly most ingenious song. Opening with a throwback late-Eighties hip-hop beat, a graceful jazz guitar and flute dart around Jung Kook’s verse, sung in character as — wait for it — the grief-stricken ex-planet Pluto (now referred to as asteroid number “134340”). RM, still as Pluto, earnestly raps: “What meaning is left in the fallen planet’s life?” and “My cold heart is 248 degrees.” The conceit never relents. The pre-chorus is majestic. Damn. —C.A.

Arguably one of the rap line’s most outstanding performances to date, “BTS Cypher Pt. 4” serves as the conclusion to the trio’s scorching Cypher series. RM, Suga and J-Hope show off their individual flows and vocal tones as they cruise through their respective verses — all tied together thanks to a simple foundation of rolling trap. “BTS Cypher Pt. 4” is also the calmest in the series as the rappers bask in well-earned success, celebrate their journey to self-love, and declare they’re thankful to their haters for giving them the attention, because after all, “I like hate comments more than no comments.” —R.C.

Bask in the radiant group-vocal performance on this homage to resilient, reciprocal amour. Jimin flutters in and out of his falsetto, ay-ay-ays on your heart muscle, and sets a perfectly unguarded tone. Jung Kook croons with an elegant maturity and flows into subtle runs that leave you breathless. RM tears headlong into a double-time rap that mimics the rush of early romance. And there are four voices still to go. No wonder the whole world is smitten. —C.A.

BTS’ dalliance with Latin pop is both slick and sexy, as they playfully sway between the their highest, airy registers and low, sultry ranges. A follow-up to the J-Hope solo mixtape track “Airplane,” “Pt. 2” tells the (autobiographical) story of a man dreaming of becoming a world-renowned musician, and the feeling — at times invigorating, at others completely exhausting — of finally becoming the regular jet-setter he set out to be. Fitting that here BTS shout out “el mariachi,” another group of balladeers serenading audiences around the globe. —N.M.

On its surface, “Go Go” sounds like a blissed-out trip-hop ditty that prays at the church of YOLO partying. But in fact, the lyrics contain sharp criticisms of materialism and the emptiness that comes with constantly searching for the next high. “The current generation uses phrases like YOLO and having fun squandering money, but I don’t think people think about why they use such terms so much, even while using the terms,” said Suga of this satirical song in a 2017 press conference. “It isn’t a BTS album if there isn’t a track criticizing society.” —N.M.

You can always count on BTS to take you back to school — and this time, it’s Greek philosophy. The sparkling “Mikrokosmos” refers to the “microcosm,” and in this context, the concept that humans belong to the universe, yet also contain little universes inside them. It’s a beautiful metaphor on its own, but even more so when the septet play it as it was intended, echoing through a stadium filled with thousands of twinkling light sticks: “In one person, there is one history/In one person, there is one star/Shining with 7 billion lights, 7 billion worlds.” —N.M.

Each BTS member has kicked off a new album cycle with a solo turn accompanied by a trailer video. But none quite shook the Bangtan firmament like Jin’s tender ode to self-acceptance, delivered as a smoldering power ballad. It’s Gen Z resculpting the sound waves of Phil Collins’ “Against All Odds (Take a Look at Me Now)” into their ultimate form. Cue waterworks. —C.A.

Released in 2014 on BTS’ second EP, Skool Luv Affair, “Tomorrow” conveys one of group’s core messages: As long as you have hope, you have a chance of bettering your future. The song looks at various hardships — unemployment, burnout, broken homes — and assures listeners that they will not be trapped in the darkness forever: “When tomorrow comes, the bright light will shine so don’t worry/This isn’t a stop but just a pause in your life for a break/Turn up your thumbs and press play so everyone can see.” The track combines booming bass percussion with a warped synth, creating a haunting foundation for their words to sink in. —R.C.